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Long - Hidden Synagogue Mural Gets Rehabbed, Relocated

PARIS, France - A mural that was painted in a Vermont synagogue more than 100 years ago by a Lithuanian immigrant - and hidden behind a wall for years - has been termed a rare piece of art and has been painstakingly moved and restores.

The large colorful triptych painted by painter Ben Zion Black in 1910 shows the Ten Commandments with a lion on both sides, the sun beaming down, and columns and rich curtains at the borders. Now known as the 'Lost Mural', it's a rare representation of a king of art that graced wooden synagogues in Europe that were largely destroyed during the Holocaust, experts say.

'When I learned about the mural and what it is and the story behind the artist, I was completely amazed, and there is nothing like this elsewhere in this country', said Josh Perelman, chief curator and director of exhibition and interpretation at the Weitzman National Museum of American Jewish History in Philadelphia.

It's a representation of a style that was presented throughout Europe but Perelman said he has never heard of anyone bringing that style to the United States.

'It makes it both a treasure and also a significant work, both in America Jewish religious life and the world of art in this country', he said.

Black, who was also a musician, playwright and poet, as well as a sign maker, decorated the inside of what was then the Chai Adam Synagogue in 1910 in a Jewish neighborhood in Burlington known as Little Jerusalem. He painted the triptych - the Lost Mural - in the apse of the building, as well as other murals in the synagogue's interior.

But the synagogue closed in 1939 when it merged with another one, Ohavi Zeek, and the original building went on to have other uses, including a carpet store, according to the Lost Mural website.

When the building was being turned into apartments in 1986, Ohavi Zedeck archivist Aaron Goldberg and a fellow synagogue member got the owner to install a wall in front of the mural, according to the website. Black's two daughters donated money to have archival photographs taken of the art, but it was unclear at the time whether the mural could be saved, Goldberg said.

More than 20 years later, the wall board was cut away, and photographs were taken and sent to museums around the country and world asking what should be done with the artwork, Goldberg said.

'The universal consensus then was that we needed to do everything we could and take all the possible measures to take out the original mural because of its uniqueness, because it really is a symbol for perhaps thousands of murals and this type of painting that were lost in Eastern Europe and Western Europe', Goldberg said.

The plaster was in poor condition and paint was flaking off in many sections. The plaster was stabilized and a conservator worked tor reattach the paint. Then a temporary structure was built so that the building's roof could be removed, the mural's lathes reinforced, and the artwork could be encased in a metal frame for the move in 2015 by crane and then truck to the current Ohavi Zedek Synagogue.

It its new home, conservators restored damaged sections of paint and cleaned the entire mural, revealing its original vibrant colors and detail. Paint was also matched and added where it has fallen off. That work took place this and last year, during the coronavirus pandemic, when the building was largest unused.

About $1 million was raised for the project through donations from local, state, national and international donors. The Lost Mural Project, an independent secular nonprofit, is still seeking donations to replicate the green corridors on the original painting that did not survive, said Goldberg, its preseident.

The renewed mural was unveiled this summer, and tours are ongoing.



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